VIRGINIE MARTIN BLAISE https://virginiemartinblaise.com/ L'art me permet de donner à voir la beauté du monde qui m'entoure. Mon, 05 Jan 2026 15:38:54 +0000 en-GB hourly 1 https://wordpress.org/?v=6.9 https://virginiemartinblaise.com/wp-content/uploads/2025/12/cropped-Cocktail-time-scaled-2-32x32.jpg VIRGINIE MARTIN BLAISE https://virginiemartinblaise.com/ 32 32 Chardons –  Forêts imaginaires à l’encre de Chine https://virginiemartinblaise.com/chardons-forets-imaginaires/ https://virginiemartinblaise.com/chardons-forets-imaginaires/#respond Fri, 19 Dec 2025 10:27:36 +0000 https://virginiemartinblaise.com/?p=1700 L’article Chardons –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

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Indian ink painting of thistles, organic forms emerging within an imaginary forest.

Chardons –  Forêts imaginaires à l’encre de Chine

Indian ink on watercolour paper Fontaine by Clairefontaine, 2021
24 x 18 cm
110 €

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Chardons is an Indian ink painting by Virginie Martin Blaise, created in 2021 as part of the Forêts imaginaires series. Executed on watercolour paper, the work depicts a dense vegetal landscape inspired by thistle forms, suspended between botanical reference and imaginary forest.

Dark, ink-saturated silhouettes rise vertically across the surface, their spiked crowns emerging from soft washes and blurred textures. The contrast between sharp linear accents and diffused ink stains creates a sense of depth and movement, as if the forms were slowly appearing through mist or shadow.

Through this restrained monochrome palette, the painting evokes a quiet, almost meditative tension between fragility and persistence. Chardons invites the viewer into a suspended space where nature is not described, but remembered—transformed into a rhythmic and atmospheric presence.

L’article Chardons –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

]]> https://virginiemartinblaise.com/chardons-forets-imaginaires/feed/ 0 Rocaille –  Forêts imaginaires à l’encre de Chine https://virginiemartinblaise.com/rocaille-forets-imaginaires/ https://virginiemartinblaise.com/rocaille-forets-imaginaires/#respond Fri, 19 Dec 2025 09:45:16 +0000 https://virginiemartinblaise.com/?p=1683 L’article Rocaille –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

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Indian ink painting depicting a fragmented imaginary forest with rocky and vegetal forms.

Rocaille –  Forêts imaginaires à l’encre de Chine

Indian ink on watercolour paper Fontaine by Clairefontaine, 2021
24 x 18 cm
110 €

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Rocaille is an Indian ink painting by Virginie Martin Blaise, created in 2021 as part of the Forêts imaginaires series. Executed on watercolour paper, the work evokes a fragmented forest landscape where mineral and vegetal forms merge into an unstable, imagined terrain.

Dense black ink areas contrast with lighter washes, creating a layered composition marked by sharp, angular branches and shadowy masses. The interplay between precise linear strokes and diluted ink suggests erosion, accumulation, and the slow transformation of matter within the landscape.

Neither fully forest nor purely rock formation, Rocaille inhabits an in-between space where nature appears abstracted and unsettled. The painting invites a contemplative reading of instability and persistence, offering a vision of landscape as a shifting, organic structure rather than a fixed place.

L’article Rocaille –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

]]> https://virginiemartinblaise.com/rocaille-forets-imaginaires/feed/ 0 Dans les bois –  Forêts imaginaires à l’encre de Chine https://virginiemartinblaise.com/dans-les-bois-forets-imaginaires/ https://virginiemartinblaise.com/dans-les-bois-forets-imaginaires/#respond Fri, 19 Dec 2025 09:37:24 +0000 https://virginiemartinblaise.com/?p=1676 L’article Dans les bois –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

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Indian ink painting depicting a forest interior with intertwined trunks and branches, evoking depth and shadow.

Dans les bois –  Forêts imaginaires à l’encre de Chine

Indian ink on watercolour paper Fontaine by Clairefontaine, 2021
30 x 24 cm
150 €

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Dans les bois is an Indian ink painting by Virginie Martin Blaise, created in 2021 as part of the Forêts imaginaires series. Executed on watercolour paper, the work presents a forest interior suggested through a network of dark trunks, branches, and layered washes, opening onto a lighter central space.

The composition is structured around vertical and diagonal lines that frame the image like a passage or threshold. Dense ink areas define the foreground, while diluted washes soften the background, creating a sense of depth and spatial recession. The contrast between solid black forms and translucent greys reinforces the impression of moving through shadow toward light.

More suggestive than descriptive, Dans les bois evokes an interior landscape shaped by memory and perception. The painting invites slow contemplation, where the forest becomes a place of transition and quiet tension, balancing enclosure and openness within an imagined natural space.

L’article Dans les bois –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

]]> https://virginiemartinblaise.com/dans-les-bois-forets-imaginaires/feed/ 0 Buisson d’épines, 2 –  Forêts imaginaires à l’encre de Chine https://virginiemartinblaise.com/ink-painting-buisson-depines-imaginary-forest/ https://virginiemartinblaise.com/ink-painting-buisson-depines-imaginary-forest/#respond Fri, 19 Dec 2025 09:30:39 +0000 https://virginiemartinblaise.com/?p=1669 L’article Buisson d’épines, 2 –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

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Ink painting of a thorny bush, organic detail from an imaginary forest.

Buisson d’épines, 2 –  Forêts imaginaires à l’encre de Chine

Indian ink on watercolour paper Fontaine by Clairefontaine, 2021
30 x 24 cm
150 €

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Buisson d’épines, 2 is an Indian ink painting by Virginie Martin Blaise, developed in 2021 as part of the Forêts imaginaires series. The composition is built through an accumulation of dense, interlaced lines, evoking a thorny vegetal structure that oscillates between enclosure and expansion.

Executed in Indian ink on watercolour paper, the work emphasizes the immediacy of the gesture while allowing subtle variations in intensity and texture to emerge. The surface records the rhythm of the painting process, creating a sense of tension between control and proliferation. The vegetal forms do not describe a specific place, but suggest an internal landscape shaped by repetition and density.

This painting explores the fragile balance between structure and chaos, where natural motifs become a means of introspection. Through layered marks and visual saturation, Buisson d’épines, 2 invites the viewer to navigate a compressed space, lingering on the threshold between confinement and organic growth.

L’article Buisson d’épines, 2 –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

]]> https://virginiemartinblaise.com/ink-painting-buisson-depines-imaginary-forest/feed/ 0 Conversation –  Forêts imaginaires à l’encre de Chine https://virginiemartinblaise.com/conversation-forets-imaginaires/ https://virginiemartinblaise.com/conversation-forets-imaginaires/#respond Fri, 19 Dec 2025 09:24:50 +0000 https://virginiemartinblaise.com/?p=1660 L’article Conversation –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

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Indian ink painting depicting tall trees in an imaginary forest, with contrasting silhouettes emerging from mist and shadow.

Conversation –  Forêts imaginaires à l’encre de Chine

Indian ink on watercolour paper Fontaine by Clairefontaine, 2021
42 x 28 cm
270 €

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Conversation is an Indian ink painting by Virginie Martin Blaise, created in 2021 as part of the Forêts imaginaires series. Executed on watercolour paper, the work presents a forest scene structured around vertical tree forms emerging from a misty, undefined space.

The composition is built on contrast and rhythm. A dark, sharply defined tree in the foreground stands in dialogue with lighter, more diffuse silhouettes behind it. Through variations in ink density and transparency, the painting creates a layered depth, where forms appear to advance and recede, suggesting an exchange rather than a fixed landscape.

More evocative than narrative, Conversation explores the idea of silent communication within nature. The forest becomes a space of interaction and balance, where presence is defined as much by what is revealed as by what remains obscured.

L’article Conversation –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

]]> https://virginiemartinblaise.com/conversation-forets-imaginaires/feed/ 0 Oiseaux de paradis, 2 –  Forêts imaginaires à l’encre de Chine https://virginiemartinblaise.com/oiseaux-de-paradis-2-forets-imaginaires/ https://virginiemartinblaise.com/oiseaux-de-paradis-2-forets-imaginaires/#respond Fri, 19 Dec 2025 09:18:18 +0000 https://virginiemartinblaise.com/?p=1652 L’article Oiseaux de paradis, 2 –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

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Indian ink painting depicting stylized bird-of-paradise-like plants rising in an imaginary forest, with layered silhouettes and misty depth.

Oiseaux de paradis, 2 –  Forêts imaginaires à l’encre de Chine

Indian ink on watercolour paper Fontaine by Clairefontaine, 2021
42 x 28 cm
270 €

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Oiseaux de paradis, 2 is a contemporary ink painting depicting an imaginary forest structured by tall, bird-of-paradise–like plant forms. Rendered in Indian ink on watercolour paper, the composition unfolds through layered washes and sharp silhouettes, creating a rhythmic vertical movement within a restrained monochrome palette.

The interplay between opacity and transparency suggests shifting depths and overlapping vegetal presences. Dark, assertive strokes contrast with lighter tonal areas, allowing the forest to emerge gradually, as if seen through mist or memory. The painting balances spontaneity and control, emphasizing the immediacy of the ink while preserving a strong sense of spatial construction.

Created by Virginie Martin-Blaise, this work reflects an ongoing exploration of imaginary landscapes where nature becomes a space for projection and contemplation. The forest is not descriptive but evocative, inviting the viewer into a suspended environment shaped by gesture, rhythm, and atmosphere.

L’article Oiseaux de paradis, 2 –  Forêts imaginaires à l’encre de Chine est apparu en premier sur VIRGINIE MARTIN BLAISE.

]]> https://virginiemartinblaise.com/oiseaux-de-paradis-2-forets-imaginaires/feed/ 0 Edge of the woods https://virginiemartinblaise.com/edge-of-the-woods-watercolour/ https://virginiemartinblaise.com/edge-of-the-woods-watercolour/#respond Thu, 18 Dec 2025 17:15:07 +0000 https://virginiemartinblaise.com/?p=1638 L’article Edge of the woods est apparu en premier sur VIRGINIE MARTIN BLAISE.

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Contemporary watercolour depicting the edge of a forest, with vertical tree trunks and shifting light creating a quiet atmospheric landscape.

Edge of the woods

Watercolour on paper, 2022
16 x 25 cm
160 €

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Edge of the woods is a contemporary watercolour capturing the quiet transition between forest and open space. Vertical tree trunks form a rhythmic structure across the composition, while soft washes of colour suggest depth, distance, and shifting light at the forest’s edge.

The painting explores atmosphere rather than description, using transparency and layered tones to evoke a sense of calm and suspension. The contrast between darker foreground forms and lighter background areas creates a subtle tension, inviting the viewer into a contemplative natural landscape.

Created by Virginie Martin-Blaise, this work reflects an ongoing exploration of nature through watercolour, where gesture, light, and restraint combine to suggest memory, presence, and the poetry of marginal spaces.

L’article Edge of the woods est apparu en premier sur VIRGINIE MARTIN BLAISE.

]]> https://virginiemartinblaise.com/edge-of-the-woods-watercolour/feed/ 0 Feeling of a dark forest https://virginiemartinblaise.com/feeling-of-a-dark-forest-watercolour/ https://virginiemartinblaise.com/feeling-of-a-dark-forest-watercolour/#respond Thu, 18 Dec 2025 17:08:18 +0000 https://virginiemartinblaise.com/?p=1629 L’article Feeling of a dark forest est apparu en premier sur VIRGINIE MARTIN BLAISE.

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Dark forest watercolour painting depicting a narrow stream winding through dense trees and deep green undergrowth.

Feeling of a dark forest

Watercolour on paper, 2022
23 x 16 cm
160 €

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Feeling of a dark forest is a contemporary watercolour depicting a narrow stream winding through dense woodland. Vertical tree trunks frame the composition, guiding the eye into the depth of the forest where light gradually fades into shadow.

The painting focuses on atmosphere and sensation rather than precise description. Layered washes of green, grey, and deep blue create a sense of humidity and enclosure, while the dark watercourse introduces movement and quiet tension within the landscape.

Created by Virginie Martin-Blaise, this work continues an exploration of forest environments as emotional spaces, where watercolour allows for fluid transitions between light and darkness, presence and silence.

L’article Feeling of a dark forest est apparu en premier sur VIRGINIE MARTIN BLAISE.

]]> https://virginiemartinblaise.com/feeling-of-a-dark-forest-watercolour/feed/ 0 Femme assise – Study from life https://virginiemartinblaise.com/femme-assise-study-from-life-pencil-drawing/ https://virginiemartinblaise.com/femme-assise-study-from-life-pencil-drawing/#respond Wed, 17 Dec 2025 09:37:22 +0000 https://virginiemartinblaise.com/?p=1503 L’article Femme assise – Study from life est apparu en premier sur VIRGINIE MARTIN BLAISE.

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Seated female figure pencil drawing from life by Virginie Martin Blaise

Femme assise – Study from life

Pencil on paper
26 x 19 cm
110 €

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Femme assise – Study from life by Virginie Martin Blaise is a pencil drawing that explores the quiet intensity of the seated female figure. Executed from life, the work captures a moment of pause, where posture and gesture convey both physical weight and inner reflection. The restrained composition allows the viewer to focus entirely on the body’s structure and balance.

Through subtle shading and confident line work, the artist emphasizes anatomy without rigidity. Light and shadow model the figure naturally, revealing volume, tension, and softness in equal measure. The drawing remains intentionally simple, avoiding unnecessary detail in order to preserve the immediacy of observation.

Part of the Study from life series, this artwork reflects a classical approach to figure drawing rooted in careful looking and sustained attention. It highlights the artist’s ongoing interest in the human form as a subject of study, presence, and silent expression.

L’article Femme assise – Study from life est apparu en premier sur VIRGINIE MARTIN BLAISE.

]]> https://virginiemartinblaise.com/femme-assise-study-from-life-pencil-drawing/feed/ 0 Rai debout – Study from life https://virginiemartinblaise.com/rai-debout-study-from-life/ https://virginiemartinblaise.com/rai-debout-study-from-life/#respond Wed, 17 Dec 2025 09:36:03 +0000 https://virginiemartinblaise.com/?p=1500 L’article Rai debout – Study from life est apparu en premier sur VIRGINIE MARTIN BLAISE.

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Pencil drawing of a standing male nude, life drawing study focusing on anatomy and posture.

Rai debout – Study from life

Pencil on paper
30 x 20 cm
110 €

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Rai debout – Study from life by Virginie Martin Blaise is a pencil drawing based on direct observation of a standing male model. The work focuses on posture, weight distribution, and anatomical structure, capturing the tension and balance of the human body in a natural pose.

This life drawing emphasizes essential elements of figure study: proportion, muscle definition, and the relationship between movement and stillness. The use of graphite allows for subtle transitions between light and shadow, reinforcing volume while preserving the immediacy of the sketch.

Part of the Study from life series, this artwork reflects a practice rooted in observation and classical drawing methods. It highlights the artist’s interest in the expressive potential of the human figure through restraint, accuracy, and sensitivity to form.

L’article Rai debout – Study from life est apparu en premier sur VIRGINIE MARTIN BLAISE.

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